December 20, 2010

Supermodel tips for toned behinds

What I really wanted to post about today was the progress made in yesterday’s mural workshop.  But I spent the evening at the Partners In Education in Newark (PeNewark) Forum at Arts High on the role of arts and culture in education.   It was one in a series of conversations the organization is conducting to try to determine the best use of the one hundred millions dollars Facebook’s Mark Zuckerberg gave to the city’s schools.  Now back home, I still have a number of things to do.  [So] I will save the workshop report for another day and exploit one of my drafts to make short work of posting. 

With this post I unveil two new categories: “What You Live With” and “In the dictionary this whole time.” 

Both predate my blogging by many years in the form of filed (that is, actual paper)  archives. “What you live with” is an archive of remarkably disturbing but not very serious (?) cultural expressions.   These expressions are news items that briefly illuminate some overall trend which makes me anxious. I wouldn’t venture to characterize exactly what that trend is; suffice it to say I began the file when I had it in mind to rewrite MOBY DICK as a novel about a monomaniacal visual artist seeking doomed revenge on the leviathan of pop culture.   (Clearly autobiographical.)  Melville, in seeking  to “comprehend the whale,” pursues the real creature from every imaginable angle.  The result of his quest is a paean to the numinousness of all actuality.  Something like this is intended by my amassed file of reports and details from media culture, of which the title of this post is butt my first example.

“In the dictionary this whole time” is a much less mysterious category.  Every now and then a day comes along when I find I’m making multiple trips to the dictionary.  The discovery of one word’s definition leads to questions about another’s and I read and read.  (Friends better educated than myself chide me on this habit. In response I do my best to make sure some portion of my searching is done in an actual etymological dictionary.)  Very often this question about another word’s definition involves the word immediately following the word I have looked up.  In this inaugural instance of this category, the first word I pursued was “calligraphy.”  Learning that “kallos” was Greek for “beauty” I read further to discover other “kallos” beginning words.   And in that manner I learned a new word that sorts well with the title of this post.

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December 19, 2010

Freeman’s (scary) Holiday Story Lives!

This is a detail from an illustration I did for Freeman Ng’s scary holiday story SANTA.  The story is not for children but I recommend it  for almost everyone else.    The baby in the mirror is a painted on photograph of the sculpture pictured (in a photograph) here.

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December 18, 2010

Marie was my secret Santa

 So at the Project U.S.E. holiday party, Marie P was my Secret Santa.   Which means I was  guarranteed a gift that was hand-crafted and super-thoughtful, lovely, clever and fun.  It was especially nice because it was all of these things and personalized for me. It was based on conversations we’d had.  It was a very pleasant surprise in the middle of the party.

She made me fortune cookie fortunes. We’d had a conversation about her history with fortune cookies when I showed her the blog posts here that had to do with real and fake fortunes I’d gathered to myself over the years. I like putting very important messages on fortune cookie paper.   Apparently I am not alone.

She’d asked me if I was planning to make the cookies as well.  A valid question which I had to answer shamefacedly in the negative.  In high school she’d made thousands upon thousands of fortune cookie fortunes with fortune cookies wrapped around them for a fund raiser.   Super cool.

She also made me fortune cookies.  Plenty enough to go around at the office party but I wasn’t sharing!  Very tasty cookies = not for sharing.  No, that’s not true. I wanted to make sure this package arrived home more or less intact so that I could share my good luck and warm feelings with Maya.

Marie also made the box in which she put the cookies in which she put the fortunes.  Cloth-lined and cloth-clothed, one of the fabrics for the box, she said, was from an old skirt.  You know, recycling, sustainability, that’s how Marie rolls.

Besides that Project U.S.E. is an extraordinary organization with which I am lucky to have become associated, one of the great gifts I received in the last year has been getting to know Marie.  She is a marvelous, super curious, wonderfully creative person.  Happy Holidays, Marie.

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December 14, 2010

preview

“He experiments … discovering countless aspects of himself … Such as the bloated, needy infant consuming the world…” 

 — Freeman Ng, from short story soon to be published online.

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He won’t listen to me

Another very funny cartoon.

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December 12, 2010

Another Positive Sunday Workshop

 The Leaders of the Future at Project WOW! worked for two hours turning their silhouettes of Ball Categories into dynamic wall decorations for the mural.  These will eventually share wall space with a special iconography they are developing and some sort of (possibly verbal) history of Project Wow!

We also started to talk about experimenting with colors in relation to the success of designs. Here’s a demo I worked up before the workshop.   Weeks ago, after watching SENSOLOGY by Michel Gagne and MIGRATIONS by Alyssa Sherwood,  participants tried to visually evoke beats they like.  The first mural we are doing is for the drop-in center’s entry way and they are trying to create a welcome.   Bashir — where are you Bashir? — said after watching the films that she’d like to try to use the techniques we saw to catch the spirit she feels upon entering Project WOW!: “Pump the Beat!” 

 These first drawings were experimental and didn’t generate too much enthusiasm.  I played with a bit of this one by Midget (self-styled) to show how playing with colors, borders and ground colors could bring out what was potential in first efforts.

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December 10, 2010

The Goofy Shoed Buddha

Friday of a long work week!  Spent all day on something for publication so I can’t even post what I accomplished.  And all those long hours today, and all those possibilities, I had plenty of thoughts about the variety in visual expression and the difference between an imagining and a finished drawing. But, as I said, long work day, too tired to say something worth reading.   Slated for tomorrow is finishing the demo for the second workshop activity based on Nick’s drawing (first one is here).

For now, the first of my placemats to be posted.  And I’m ashamed to say it’s not even a diner placemat.   I’m from Jersey, so if you’re from Jersey you know what I’m talking about, if not, I can’t explain. This placemat is from the ice cream shop Friendly’s.  We spent dinner every Sunday there the whole summer of 2007.  And I can tell you, they have the best crayons out of anybody.

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December 8, 2010

Collage Coloring Page

“The deeper the influence of the formal, decorative element upon the method of representation, the more probable it becomes that formal elements attain an emotional value.  An association between these two forms of art is established which leads, on the one hand to the conventionalization of representative design, on the other to the imputation of significance into formal elements.  It is quite arbitrary to assume a one-sided development from the representative to the formal or vice versa, or even to speak of a gradual transformation of a representative form into a conventional one, because the artistic presentation itself can proceed only on the basis of the technically developed forms…” 

— Franz Boas, “Representative Art,” pps. 82-83 Primitive Art (1927)

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December 7, 2010

A Little Color Just For Today

Spent the day working on an illustration for a holiday story by Freeman Ng.  Should be done in a day or two, woulda been done today but my printer ran out of ink.   (What’s pictured is not the illustration I’m working on,  this is a part of the second drawing I did for the Kicked Out people for Queer History Month.)  Strange day, today MYDP would have been six months.

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December 6, 2010

Best Grove Presentation So Far: 2003/4-10

So I presented my Mentor’s Grove Project  to Dr. Kay Fowler’s Death and Dying class (thank you, Kay!) for the second and last time for the fall semester of 2010.  It was the first time I got spontaneous applause!  Twice!  I rearranged my presentation from last week, starting this time with a concrete description of the actual project and then moving into the “why this is so meaningful” part of the talk. Much more sensible order. 

It wasn’t perfect but I liked how it went. I introduced the project as a use of art and image making as, for lack of a more compelling phrase, one way to suffer grief as a process.   

I talked about a danger of working with images and meaningful objects:  Forgetting the significant way of looking at them or telling the wrong stories about them when presenting them.  (Ask me about the swimming with dolphins story I told at one of Brady’s memorial services. Perfect example. But I don’t want to spend all night on the computer.)   But of course there is a virtue hiding there, the possibility of the process: images unfold, their meanings dance with you as you go through the steps, as you twist and turn, wriggling to get free.  What seemed like a perfectly sensible, perfectly satisfying, permanently settled understanding  can explode into whole new vistas simply by asking a different question of the image.   The images wait through our ignorance and persist through the changes that allow us to see them more fully.

The picture above is a two page spread from a notebook from 2006.  It’s a bit outdated and definitely from a time when I was asking the images the wrong questions (or at least less developed questions than I have now) Still I like the way the sequence of views(participations) the grove presents are represented by these six illustrations.  And my cartoon of the scorpion people from The Epic Of Gilgamesh may just be one of my favorite drawings ever.

Tonight I finished with the idea of the image not as an illusion or a depiction but the image as a part of nature, a remarkably human part of nature.  I will continue to develop that part of the talk though who knows where my thinking will be next semester.

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